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Greta
Garbo
(September
18 ,1905 –April 15 ,1990)
The NAC will celebrate Ms. Garbo’s
birthday on September 14. This event is open to members
and their guests. |
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Garbo
circa 1928 |
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Text
taken from Wikipedia at http://en.wikipedia.org/
She
was born Greta Lovisa Gustafsson in Stockholm, Sweden,
the youngest of three children born to Karl Alfred Gustafsson
(1871 -1920) and Anna Lovisa Johnasson
(1872 -1944 ). Her older sister and brother were Alva
and Sven.
BECOMING AN ACTRESS
When Greta was fourteen, her father, to whom she was
extremely close, died, and her relationship with her
mother was, at best, strained. Consequently, she was
forced to leave school and go to work. Her first job
was as a lather girl in a barbershop. She then became
a clerk in a department store, where she would also
model for newspaper ads. Her first motion picture aspirations
came when she appeared in an advertising short for the
department store where she worked. That led to another
short movie, which was seen by comedy director Eric
Petscher. He cast her in a small part for the movie
Peter The Tramp (1920 ).
From
1922 to 1924, she studied at the prestigious Royal Dramatic
Theatre in Stockholm. While she was there, she met the
Swedish director Mauritz Stiller. He trained her in
cinema acting technique and cast her in a major role
in Gösta Berlings Saga (1924) (English:
The Story of Gösta Berling ). He also
gave her the stage name Greta Garbo. She starred in
two movies in Sweden and one in Germany .
When
Stiller went to the United States in 1925 to work for
Metro-Goldwyn-Mayer, he insisted that Garbo be given
a contract as well. But their relationship came to an
end as her fame grew. He was fired by MGM and returned
to Sweden in 1928, where he died soon after.
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LIFE IN HOLLYWOOD
The most important of Garbo's silent movies were The
Torrent (1926), Flesh and the Devil (1927)
and Love (1927). The latter two she starred in
with the popular leading man John Gilbert. Her name was
linked with his in a much publicized romance, and she
was said to have left him standing at the altar when she
changed her mind about getting married. The actress reportedly
had several lesbian lovers, including the actress Louise
Brooks and the writer/socialite Mercedes de Acosta. She
also had an on-and-off affair with the primarily homosexual
British photographer Cecil Beaton, to whom she was briefly
engaged.
Having
achieved enormous success as a silent movie star, she
was one of the few who made the transition to talkies.
Her low, husky voice with Swedish accent was heard on
screen for the first time in Anna Christie
(1930), which was publicized with the slogan "Garbo
Talks." The movie was a huge success, but Garbo
personally hated her performance.
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Unfortunately,
her one-time fiancé, John Gilbert, whose popularity
was waning, did not fare as well after the advent of
sound and his career faltered.
When
she was filming, if something happened that she was
not pleased with she would say, "I think I'll go
back to Sweden !" This would frighten the movie
studio heads, who gave in to her every wish. She was
known for always having a closed set to all visitors.
No one could watch as her scenes were shot. Garbo appeared
very seductive as the World War I spy in the title role
of Mata Hari (1932). The censors complained
about her revealing outfit shown on the movie poster.
She was next part of an all star cast in Grand Hotel
(1932).
She
then had a contract dispute with MGM and did not appear
on the screen for almost two years. They finally settled
and she signed a new contract, which granted her almost
total control over her movies. She exercised that control
by getting her leading man on Queen Christina (1934),
Laurence Olivier, replaced with Gilbert. David O. Selznick
wanted her cast as the dying heiress in Dark Victory
in 1935, but she insisted on being cast instead in another
screen version of Tolstoy's classic Anna Karenina. She
had made a silent version, Love, with John
Gilbert in (1927).
Her
performance as the doomed courtesan in Camille
(1937) was called the finest ever recorded on film.
She then starred opposite Melvyn Douglas in the comedy
Ninotchka (1939 ) by director Ernst Lubitsch.
Garbo
was nominated for the Academy Award for Best Actress
in a Leading Role for Anna Christie (1930), Romance
(1930), Camille (1937) and Ninotchka (1939).
Greta
Garbo was considered one of the most glamorous movie
stars of the 1920s and 1930s. She was also famous for
shunning publicity, which became part of the Garbo mystique.
Her famous byline was, "I want to be alone,"
spoken with a heavy accent which made the word 'want'
sound like 'vont'. Except at the very beginning of her
career, she granted no interviews, signed no autographs,
attended no premieres and answered no fan mail.
Ninotchka
was a successful attempt at lightening Garbo's
image and making her less exotic, complete with the
insertion of a scene in which her character breaks into
joyful laughter which subsequently provided the film
with its famous tagline , "Garbo laughs!"
A follow-up film, Two-Faced Woman (1941), attempted
to capitalize upon this by casting Garbo in a romantic
comedy that featured her dancing, but this film was
a critical and box-office failure as it was felt that
the elements that had made Garbo unique were all but
eliminated.
It
is often reported that Garbo chose to retire from cinema
after this film's failure, but already by 1937 she was
becoming more choosy about her roles, and eventually
years passed without her agreeing to do another film.
By her own admission, Garbo felt that after World War
II the world changed, perhaps forever.
In
1949, Garbo filmed a screen test as she considered reentering
the movie business, but otherwise never stepped in front
of a movie camera again. There were suggestions that
she might appear as the Duchess de Guermantes in a film
adaptation of Remembrance of Things Past, but
this never came to fruition. She withdrew from the entertainment
world completely and moved to a secluded life in New
York City, refusing to make any public appearances.
Up until her death, Garbo sightings were considered
sport for paparazzi photographers.
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Garbo
and a young Clark Gable on the cover of Photoplay, 1932
Garbo
as Queen Christina
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A photograph
of Garbo taken by Edward Steichen in 1928 |
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SECLUDED
RETIREMENT
Garbo felt her movies had their proper place in history
and would gain in value. On February 9,1951, she became
a naturalized citizen of the United States. She was awarded
a special Academy Award for her unforgettable performances
in 1954. In the mid-1950s, she bought a seven room apartment
in New York at 450 East 52nd Street, where she lived for
the rest of her life.
She
would at times jet-set with some of the world's best
known personalities, such as Aristotle Onassis and others,
but chose to live a private life. She spent time gardening
flowers and vegetables and was known for taking walks
through New York streets dressed casually and wearing
large sunglasses, always avoiding prying eyes, the paparazzi
and media attention.
Garbo
lived the last years of her life in absolute seclusion.
She had invested very wisely, was known for extreme
frugality, and was a very wealthy woman. It is rumored
that she wrote an autobiography just before her death
but this book has yet to be published if it exists.
She
died at age 84 as a result of renal failure in New York
and was cremated. She had previously been operated and
treated for breast cancer, which she apparently beat.
She left her estate to her niece. Her ashes are buried
at the Skogskyrkogården Cemetery in Stockholm,
Sweden.
Greta
Garbo has a star on the Hollywood Walk of Fame at 6901
Hollywood Boulevard in Hollywood.
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FILMOGRAPHY
Mr. and Mrs. Stockholm (1920) (short subject)
How Not to Dress (1921) (short subject)
A Happy Knight (1921)
Peter the Tramp (1922)
The Saga of Gosta Berling (1924)
The Joyless Street (1925)
The Torrent (1926)
The Temptress (1926)
Flesh and the Devil (1926)
Love (film) (1927)
The Divine Woman (1928)
The Mysterious Lady (1928)
A Woman of Affairs (1928)
Wild Orchids (1929)
A Man's Man (1929) (cameo)
The Single Standard (1929)
The Kiss (film) (1929)
Anna Christie (1930)
Romance (1930)
Inspiration (film) (1931)
Love Business (1931) (appears in gag photo)
Anna Christie (1931) (German version)
Susan Lenox (Her Fall and Rise) (1931)
Mata Hari (1931)
Grand Hotel (film) (1932)
As You Desire Me (1932)
Queen Christina (film) (1933)
The Painted Veil (1934)
Anna Karenina (film) (1935)
Camille (1936)
Conquest (1937)
Ninotchka (1939)
Two-Faced Woman (1941)
Click
below to hear Garbo’s classic line.
http://www.reelclassics.com/Audio_Video/Quotes9n/garbo_ghotel_alone.wav
Read the
Academy of Motion Picture Arts and Sciences’ press
release for the Garbo centennial held in April, 2005,
in Los Angeles.
http://www.oscars.org/press/pressreleases/2005/05.03.11.html
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