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image on preceding page: The North Block of Somerset House at the Courtauld Institute of Art
 
THE COURTAULD INSTITUTE OF ART

On Thursday, November 13, the National Arts Club will honor The Courtauld Institute of Art. This event is open to Members Only.

The Courtauld Institute of Art, founded in 1932, is the major centre in Britain for the study of the history of Western art, and is one of the premier art historical institutes in the world. It was awarded the top grade (5*) in the 2001 Research Assessment Exercise carried out by the Higher Education Funding Council for England - the only History of Art department in the country to receive this distinction, and 23 out of 24 in the Quality Assessment carried out by the Quality Assurance Agency.

The Institute is a college of the federal University of London and has a teaching staff of 30 who cover the full range of arts and architecture of the Western world from classical antiquity to the present day, as well as the conservation of easel and wall paintings. About 400 students are currently studying at the Courtauld, one third taking postgraduate courses, one third engaged in research at PhD level and one third being undergraduates.

 
Master of Bruges,
Diptych – Virgin and Child , c.1460 (detail)

 
 

The Institute and its Gallery occupy the North block of Somerset House. Built by Sir William Chambers between 1776-80 it is one of the grandest and most famous neo-classical buildings in the centre of London. The offices and fine rooms which are now used by the Courtauld are rich in historical associations and were originally designed to house the Royal Academy and other learned societies. In April 2003 the Courtauld took over responsibility for the running of the Hermitage Rooms, situated in the South Block at Somerset House, when it formed an alliance with the State Hermitage Museum, St Petersburg. The extended series of exhibitions planned will draw on the combined collections of scholarly resources of both the Courtauld and the Hermitage, Russia's world-renowned museum.

Resources for study at the Institute include the Book Library, the Witt & Conway Photo Libraries, the Slide Library, the IT Centre and the Gallery. The Gallery's permanent collections range from the 13th century to the present day, and include decorative arts as well as paintings. The foundation collection consists of superb Impressionist and Post-Impressionist paintings, and this has been augmentd by generous donations of important old master paintings, including the unique Princes Gate collection of 32 works by Rubens, as well as major works by Pieter Bruegel the Elder and Tiepolo. There is, in addition, some magnificent Renaissance furniture, several 14th and 15th century paintings, medieval ivories, 16th century Venetian and German glass, maiolica and metalwork and 20th century art. There is also an extensive collection of prints and drawings, including old master drawings.

 
Oskar Kokoschka,
Boatmen Calling from 'The Dreaming Youths' 1907, published 1908/1917 (detail)

Georges Seurat,
The Bridge at Courbevoie c.1886-7, oil on canvas

This year the Institute’s Research Forum was formed, funded in part by a generous grant from the Andrew W Mellon Foundation. This is a dynamic programme of research activities intent on deepening and enriching the research culture of the Institute and strengthening relations between the Courtauld and colleagues in London-area (and other UK) universities, museums, and conservation laboratories; and more generally “serving the field” from our unique position as a bridge between scholars and colleague institutions in North America and Continental Europe.

Visit their website to learn more http://www.courtauld.ac.uk/index.html

 
 

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