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Herrera
on success: “I adore what I'm doing, and the more
I do, the more I want to do. It's very difficult when
you have a bit of success to stop what you are doing,
because you always think it's going to be better.”
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"Fashion
is change," says Carolina Herrera, "but certain
elements remain constant—sophistication, elegance,
and of course, luxury.” With that edict in mind,
Herrera has broadened her focus to reflect the needs
and lifestyle of today's woman. The Carolina Herrera
look is imbued with a fresh modern spirit. "Each
season is a new direction with the same inherent style."
This philosophy, that true style knows no borders and
is cross-generational, is a testament to Herrera's straightforward
and sophisticated approach to her business.
Carolina Herrera founded her company twenty years ago
with a clear vision for how an elegant and stylish woman
should dress. Today Carolina Herrera, Ltd. designs and
manufactures a luxury ready to wear collection that
addresses the needs of today's woman from daytime suits
and dresses to elegant evening wear and luxury bridal
gowns. Carolina Herrera has also made a great effort
to address the fashion requirements of a younger woman,
the new designer customer, and in doing so, Carolina
Herrera has expanded her customer base. Modern fashion
is moving away from stark minimalism to more luxurious,
feminine embellishment. This is precisely what defines
the Carolina Herrera design signature.
The
Carolina Herrera name is well recognized internationally,
thanks to her high and stylish profile, her successful
business and continual press coverage internationally
for her fashion collections. Important international
brand equity has been established for the Carolina Herrera
label, especially with the success of the New York catwalks,
the high visibility of the fragrances, CH retail stores
and a long track of successful records.
"Business is very good right now," says Herrera,
"But you always want to do more. That's the constant
challenge."
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María
Carolina Josefina Pacanins y Niño was born in
Caracas (Venezuela) in 1939. Carolina was the second
of four children born from the marriage between Guillermo
and Maria Cristina Pacanins, descendents of a long line
of landowners and political leaders linked to Venezuela
for 400 years and of Spanish descent. Venezuela at that
time was still very colonial. The city and the people,
their customs and way of life take us back to another
period. A sepia portrait of an unusual world, with a
little girl called Carolina with a deep smile and determined
gestures.
Her beloved father introduced her to horse-riding and
she soon showed that she was very skilled horsewomen,
although what she really loved was the horse on which
she galloped over the Venezuelan plains. A love for
animals that is now reflected in her dog, Gastun, the
faithful witness of Carolina's creations in her Manhattan
studio. Even then she was interested in fashion and
perfumes. She made her own perfumes and continued to
do so till her first fragrance was launched in 1988.
She mixed different aromatic oils and played at creating
her own fragrances in the home of her friend, Ana Mercedes.
She also played with her clothes, putting them together
in different ways and even turning the jackets around
and putting them on back to front.
At
the age of 13 years old, an event marked her life. Her
grandmother took her to Cristobal Balenciaga's fashion
show in Paris. In the city of light, Carolina discovered
the light and the inspiration of one of the most important
fashion designers of the 20th century. Carolina still
is inspired by the work of Balenciaga.
There was another Carolina Herrera in the life of Carolina
at that time. It was the younger sister of Reinaldo
Herrera, the descendent of well-established landowners
in Venezuela who spent large periods of time in Europe.
Carolina knew that Reinaldo was her first love and every
time she visited her friend, she could be caught gazing
lovingly towards the young Herrera, whose surname she
took several years later. Reinaldo confessed that he
was attracted by this sweet young girl, who was graceful
yet strong. He consider no other girl to be as beautiful
as she and confessed his admiration for her when she
came out in society and after they had meet at numerous
parties and other social events in Caracas.
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On
what to avoid in fashion: “Excess is the biggest
mistake that a woman can do. Excess in clothing, excess
in accessories, excess in makeup, excess in hair, excess
in everything. I like the simplicity. Simplicity and elegance
are always very well connected.” |
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It
was a love that came to nothing at that time and which
had to wait some years. A very young and impulsive Carolina
first married Guillermo Behrens Tello. That marriage
lasted seven years and ended in a divorce that greatly
affected Carolina's family and society in Caracas, which
was not used to events such as this. Carolina's two
oldest daughters were born from that marriage. One of
them, Mercedes lives in Caracas and has given Carolina
her first three grandchildren. But life went on, Carolina
moved back with her two daughters to her parents' home
in Caracas. When she was 25 years old, she began to
work in Pucci's branch in Venezuela helping with Public
Relations work. Caracas was then enjoying a high lifestyle
where the society ladies wanted the latest models from
the European haute couture designers. One of these ladies
was Maria Teresa "Mimi" Herrera, Reinaldo
Herrera's mother and friend of the Duchess of Windsor
and Greta Garbo, who was a leading light at parties
and social events all over the world.
In
1968, Reinaldo returned to Venezuela and proposed to
Carolina. The wedding took place in the house of Reinaldo's
older sister and Carolina wore a beautiful pale yellow
suit in organza and with short sleeves. After they were
married, the couple set up home in the "La Vega"
estate, a beautiful house built in 1590 and which belonged
to Reinaldo's parents. Two daughters were born from
this marriage: Carolina Adriana, who now works with
her mother, and Patricia Cristina, who works in Vanity
Fair.
Carolina continued with her hobby of designing clothes
and appeared higher and higher in the lists of the most
tastefully dressed women in the world. Between 1971
and 1980, she appeared in the international list of
best-dressed women. When she went to New York, she used
to spend time with Andy Warhol, mainly as a spectator
who wanted to know what was happening and the development
of the New York avant-garde scene. She has a portrait
by Warhol that hangs on the wall of her Manhattan studio,
while there are has two undeniably glamorous photographs
by Mapplethorpe. When Mapplethorpe died, Carolina paid
homage to him with a collection where motorbikes and
leather jackets with golden zips and studs played a
very important role, far before any other designer opted
to include these elements in their shows.
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Renée
Zellweger in Carolina Herrera at the 2003 Academy Awards
is just one of the many actresses in Hollywood devoted
to the honoree’s classic sense of style.
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September
1980. Carolina Herrera presented her first collection,
which was well received by the critics. When she returned
to Caracas, she signed an agreement with a Venezuelan
investor, Armando de Armas, to set up a company with
each partner holding 50% of the shares. Carolina moved
permanently to New York with her husband and her daughters.
She opened a small showroom and worked on her first
collection, which was shown for the first time in the
Metropolitan Club in April 1981. It was attended by
all New York society and its climax was when Carolina
appeared at the end of the show. Feminine, sweet, delicate,
herselfÖ were some of the adjectives used to describe
that moment. From then onwards, Carolina Herrera had
found her niche in the world of fashion. Her clients
came to her looking for good taste and style and her
discretion, at a time when designers were using the
celebrities that wore their clothes. Carolina did not
design clothes for everyone to see, but rather for the
person wearing them would feel comfortable in them.
At the end of the 80s, she reached an agreement with
a Spanish perfume company, Antonio Puig, S.A., in order
to launch a line of perfumes. She took great care with
this venture, typical of a person that had always created
her perfumes by mixing oils and essences. Her first
fragrances, Carolina Herrera (1988) and Herrera for
Men (1991), have become true classics in the world of
perfumes in just over a decade, while they continue
to be as up-to-the-minute as when they were launched.
Encouraged by these successes, she launched (1994) and
Aquaflore (1996). This was followed by the launch of
212, a project to create an urban and fresh perfume
that was run by her daughter Carolina Adriana -who has
worked closely with her since then, and which has been
highly successful.
In
1997, she presented her first collection of accessories,
which included bags and other leather articles, foulards,
tiesÖ Her creativity has expanded to many other
spheres. In the year 2000, she opened the first Carolina
Herrera/New York boutique in the famous and celebrated
Madison Avenue in New York.
The
new century presents Carolina Herrera with new challenges.
On the one hand, she will continue with her high fashion
collection at the same time as launching a secondary
line: CH. She will open forty shops worldwide to market
this line of clothes and accessories. But it does not
stop here. New fragrances, cosmetics and dreams of beauty
so that the woman continues to be a women.
She
continues to have as full and passionate a life and
she has the special merit that the sweetest monument
is always the present.
Click
here for more biographical information on Ms. Herrera
at Informat, The fashion Industry’s Information
Service.
Click
here to visit Ms. Herrera’s website
Click
here to read a fascinating interview with Ms. Herrera’s
on fashion in politics and Washington, D.C. |
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